Morgan got an early start in fashion, with pattern-making and garment construction under her belt and Parsons and FIT locked in her focus. Despite attracting the attention of luxury designers as a teen after sending them care packages of her illustrations, she found herself grounded in her hometown of Portland. Unlike the breezy neighborhood mysteries she investigated as a kid, Morgan was forced to face the one case she’d never cracked: her anxiety. 

While she paused her life and then-dream to reconcile with herself, she forged a deeper fondness for film. Disney, Mary-Kate & Ashley, and Sundance films alike had danced across her hyperfocused eyes for years yet she didn’t entertain filmmaking as a career until then. Screenwriting had it all: the clarity of psychology along with the artistic storytelling of fashion. It gave not just a place for her interests to collide and broaden her field of focus - but a home base where she could explore herself and the world in a more meaningful way. 

Today, Morgan’s work remains as personal and expansive with a few more influences: comics, photography, and self-help (The Four Agreements scene in Barry is one of the best television moments in her opinion - iykyk.) She currently pens both pilot and feature scripts in the genre space, is debuting a horror graphic novel on Substack, and is in development on a one-woman web series. 

Additionally, Morgan has built upon her journey with anxiety to discover her neurodivergence, an experience which she channels in her writing. Outside of the craft, she brings her Taurus sun, Cancer moon, and Libra rising energy forward to make her home as cozy as possible and fancies herself an amateur Astrocartography reader.